I wouldn’t say I have a talent that’s special. “In a first-draft situation for me, it’s a visceral rather than an intellectual process. For instance, in the current WIP, I started a new scene in Chapter 11 and a piece of unexpected backstory showed up for one of the characters. Changed a curse to be more culturally appropriate for the person using it. Those notes will then find their way into poems by evening. Many writers go through multiple rounds of revisions before they reach a final draft: [1] "Few writers are so expert that they can produce what they are after on the first try. 1, Advice From Rilke’s Letters To a Young Poet That Will Make You a Better Writer And a Better Person, Lessons From a Revision | Author J. Steven Young. Sometimes the only pleasurable parts. Jack Kerouac famously wrote On The Road in 3 weeks, typing it on a 120-foot roll of paper without stopping to review it. I'm embarking on a novel revision, and rather than jumping off into that terrifying place alone, I wanted to bolster my process with words of advice from published authors and… And then I’ll go on to the next thing. If there are things you aren’t satisfied with as a reader, go in and fix them as a writer: that’s revision.” — Neil Gaiman, “When I’m working on a book, I constantly retype my own sentences. On each page I try first to make my corrections with a typewriter; I then correct some more by hand. Recursive revision strategies are used by the Experienced writers in Sommer’s essay. I envy those writers who can proceed without correcting.” —, Directions: Write, Read, Rewrite. Most of my time writing is really re-writing.”  — Joyce Carol Oats, “I have rewritten—often several times—every word I have ever published. There was a time when I made a number of handwritten drafts. Scanning and Selecting. When I finally reread the typescript, I discover an entirely different text that I often revise further. Sorry, your blog cannot share posts by email. Things undergo many, many, many revisions. Theoretically, I could have made a note to “Change Ch 2 conversation between A and B to reflect backstory from Ch 11 p.1” and gone on working on Chapter 11…except that I couldn’t. To have a more efficient and more intense fragment is going to be better. “I redraft as I go—whenever I get stuck in a short story, I go back to the beginning and revise my way down to where I left off. Decided to just tweak it a little instead. In revision, you begin a kind of creative destruction. . And then I could go on. 6. But still, that’s quite a feat! EXPLORING SECOND LANGUAGE WRITERS’ PAUSING AND REVISION BEHAVIORS - Volume 41 Special Issue - Andrea Révész, Marije Michel, Minjin Lee. (James Dickey used to call it “the cave of making.”) You enter the cave of making without any opinions, without any preconceived notions, and tell the story as clearly as you can. Then it turns out it’s either the wrong people or the wrong room, and I just have to keep going about it until I find the right people and the right room. Spent some time figuring out the particular mechanisms of sygaldry to prevent consistency problems. I am positive of this.” — Roald Dahl, “Almost all good writing begins with terrible first efforts. I will keep mental notes during the day as I run around playgrounds and do the laundry. I can let everything else go (I didn’t have to tighten the rest of the conversation or add the stage business). A friend of mine says that the first draft is the down draft – you just need to get it down. Decided against it. On each page I try first to make my corrections with a typewriter; I then correct some more by hand. But I wrote it five separate times. 2. Though some have pointed out that this is not entirely true, as Kerouac had reworked the book many times over several years – it would be more accurate to say he typed it up in 3 weeks. Every day I go back to page one and just retype what I have. Revision: Cultivating a Critical Eye (Dartmouth); Revising the Draft (Harvard); Reverse Outline (Amherst College Writing Center) You want to winch the book out of your balky mind. After completing these revisions, the client should be satisfied. Put [the story] in a drawer and write other things. Because you don’t edit very dramatically when you’re—you’re not very hard on yourself, you’re not very loose with yourself most of the day. Basic Writers and Revision 51 university of about seventeen thousand students where most authors of this book teach, students placed in our developmental course are those whose ACT English score is at 15 or below, one kind of defi-nition. I would say I cross out more than I write. That is, I try not to bring too many ideas about what the story is doing etc, etc. Many writers are not even sure what they are writing about until they have a first draft. Click to share on Twitter (Opens in new window), Click to share on Google+ (Opens in new window), Click to share on LinkedIn (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on Tumblr (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on Pocket (Opens in new window), Announcing The 2017 Story Prize Finalists. 1. I will take quick fixes if the opportunity arises, but I don’t go looking for them…unless I’m stuck.”, “Before I start to write, the night before—I mean, when I finish work at the end of the day, I go over the pages, the page that I’ve done that day, and I mark it up. Yesterday, Tor pointed me in the direction of this old blog post from Patrick Rothfuss—whose Kingkiller Chronicle is soon to be adapted for film and television by Lin-Manuel Miranda, in case you hadn’t heard—in which he describes, step-by-step, his revision process over a … Personally, I think you learn more from finishing things, from seeing them in print, wincing, and then figuring out what you did wrong, than you could ever do from eternally rewriting the same thing. You read the sentences over and over. You try to be true to a world. In this way, my writing has become more efficient. Looked at all instances of the word “bustle” in the book to see if I’m overusing the word. When you’re ready, pick it up and read it, as if you’ve never read it before. The first draft has got to be loaded with most of it. So in the interest of stealing from those who have succeeded, read on. Then comes the warm part: when you already have something to work with, upgrade, edit… Let’s say it’s a mess. So take heart! It’s illuminating, and I wound up digging around on the Internet for more personal stories of editing strategies, investigating the revision processes of a number of celebrated contemporary writers of fantasy, realism, and young adult fiction. This study investigated discourse level revising skills among three groups of Japanese EFL writers and the relationship between these skills and the two factors of English proficiency and writing experience. Now, after the first draft, written by hand and completely scrawled over, I start typing it out, deciphering as I go. Talking to Teachers: “Writing Beside Them” and the Power of … But what they don’t say, necessarily, is how. Understanding the Purpose of Revising and Editing. But you have a chance to fix it. I’ll go in and polish it up, and possibly keep playing with it a little—it’s on the computer: everything’s malleable until it’s printed. My process has changed tremendously since I’ve had my children. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. And it isn’t the way people sometimes paint it—it’s not like you’re at your desk, tearing your hair. Change ), You are commenting using your Google account. Setting out to write, if you have the idea of ”literature” in your head, is formidable, intimidating. You want to winch the book out of your balky mind. You try to say what you have to say more accutately. Revision, revision, revision: the term is nearly a mantra in Comm-B and Writing-Intensive (WI) courses. If there are things you aren’t satisfied with as a reader, go in and fix them as a writer: that’s revision.” […]. “Every writer has their own way of doing things. I don’t think, “Okay, I need a scene to do X.” And while trying to be as efficient as you can, you generate a great bulk of material. 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